TRIPTYCH "DĪSPĘRSĪØN (øptics)"

L–Bank Rinatto ╳ 19TONES
In collaboration, we demonstrate the comparison between our techniques (analog and digital) induces dualism based on the view/concept that photographs consist of these methods which co-exist together. Whether they compliment each other like the yin and yang or they are the conflict between good and evil — it’s the moment everyone can choose. Each viewer can see how difficult all the details of this TRIPTYCH “DĪSPĘRSĪØN (øptics)” are, the non-trivial structure on all given scales and the randomness of visual patterns.

I had used the triangular prisms to create neon portraits first. Then Rinatto simulated water texture using his digital technique.